Film industry’s revival calls for increase in digital cinemas
LAHORE: Strong storylines, advancements in technology and the younger crop of talented actors and film-makers have played a pivotal role in rejuvenating Pakistani cinema. With quality work infiltrating theatre halls now, we are finally heading in the right direction in terms of public entertainment.
The rebirth of Pakistan’s film circuit has been followed by the demand for more cinemas across the country. Bigger cities have started the construction of digital theatres, with the number currently standing at 140. The number of screens at each cinema is also in the process of increasing. As of now, an extra 200 screens have been added to existing cinema houses.
Details provide that the last five years have seen a growing amount of modern cinemas, courtesy of Urdu films. The likes of Karachi, Lahore and Islamabad already have such halls.
However, stakeholders have made it clear that the success of digital cinemas is associated with the strength of the local film industry. “The most important thing, in this regard, is for our industry insiders to produce good films which will strengthen our industry,” Kamran stated. They also believe that the government of Pakistan should take an initiative and aid the film community.
It is important to mention here that nearly four decades ago, Pakistan’s cinema industry was among the best in Asia and the cinema business was at its peak. There were nearly 800 cinema houses at the time, with 400 of these in Punjab.
Back then, Lahore was known as the hub of film-making with around 85 cinema halls within the city. Nonetheless, many of them were forced to shut down due to the crisis that hit the nation’s film industry, leaving only 25 cinema halls. But the contribution of new talent to Pakistan’s showbiz has allowed an increasing construction of cinemas.
Speaking about the power of local cinema, Kamran mentioned that we do not need revenue from Indian films to keep our industry afloat. “This year, the occasion of both Eids proved that we can do good business without Indian films and that was commendable.”
Kamran went on to talk about the possibility of increasing shareholders. “Many foreign investors have expressed their interest of expending in and contributing to our cinema business. Although this is great news, we still need our government to focus on welfare for Pakistan’s film industry,” he said.
Senior film director Iqbal Kashmiri also shared his two cents on the situation, affirming that although Urdu films have greatly impacted the film industry, Punjabi and Pashto films have done no less. “It’s true that new cinemas have been constructed due to the revival of the film industry. However, while Urdu films have pitched in, we should not forget the importance of Punjabi and Pashto films.”
He continued, “Without them, this revival would not have been possible and without them, we can go back into a crisis. Punjabi cinema was once at the top of the game and there are still numerous viewers present in Punjab, wanting Punjabi films.”
Kashmiri concluded by noting that most cinemagoers are from the lower class and are unable to afford high prices and therefore, traditional cinemas should come back into play.