Stars galore : FocusPK16 seeks to reshape future of entertainment industry
KARACHI: A two-day production and entertainment conference, ‘FocusPK16’, kicked off on Saturday to help the Pakistani entertainment industry reassess its position.
Different stakeholders from the industry gathered to identify the areas where they went wrong and how to correct them for a brighter future.
The inauguration ceremony was attended by federal information minister Maryam Aurangzeb, Unilever chairperson Shazia Syed and actress Atiqa Odho.
After inaugural speeches by Odho and Aurangzeb, scriptwriter and satirist Anwar Maqsood was honuored with a shield for his contributions to the media, followed by a performance by the Sachal Band.
Subsequently, sessions on the different aspects of the industry were held, which included scriptwriting, theatre, censorship policies and marketing of ideas. One of the first sessions was about the ratings game in Pakistan. The panelists, which included Pakistan Advertisers Society (PAS) awards committee chairperson Aly Mustansir, GroupM CEO Fouad Husain and MEC general manager Ateeq Sial, highlighted the inauthenticity of the television ratings system. The stakeholders argued whether the system was a hindrance in the way of quality programming.
In another session titled ‘Parallel Cinema vs Commercial Cinema’, filmmakers Syed Noor, Sarmad Khoosat and Iram Parveen Bilal, actors Salman Shahid and Maria Wasti, distributors Nadeem Mandviwalla and Kamran Yar Khan and producer Jerjees Seja spoke about the comparison.
The discussion started with an argument of nomenclature – whether to call it parallel or independent cinema versus commercial or mainstream cinema. However, moving beyond that, the panelists talked about the need for one cinema to support another.
In an interesting back-and-forth argument, Khoosat argued there are only two kinds of films: “Brave or cowardly; if commercial films are considered safe, it’s cowardly. If Paranormal Activity earns a lot of money, no one questions whether it was an indie film or a mainstream, or whether it was shot on a phone”.