Quaid wanted ‘Mussalmans’ to enter film industry
By: Tughral Yamin
KARACHI: Where successive Pakistani governments have subjected the country’s once prosperous film industry to official neglect, a recently discovered letter penned by Quaid-i-Azam Muhammad Ali Jinnah reveals the country’s founder gave seminal importance to the industry.
“I am in receipt of your letter of December 30th 1944, and I wish more Mussalmans would enter into this realm of film industry, and I shall always be glad to do all I can to help it. I have noted that Mr Mahboob is producing a historical picture “Humayun”, and if I have an opportunity of seeing it I might be able to express my opinion about it, but generally I do wish that more Mussalmans would enter this line, as there is plenty of scope for them in the film industry,” reads the Quaid’s letter, dated January 6, 1945.
The type-written letter clearly bears his personal monogram and is neatly signed by his own hand. The letter was written in response to a letter by Mohammad Masud, then a young political activist, who sought the Quaid’s opinion on the role of Indian Muslims in the sub-continent’s film industry.
Now in his 80s, Masud resides in Karachi with his grandchildren. While he has never been particularly talkative, many an eager ear has been mesmerised by his narration of pre-partition experiences. From his youth to his old age, Masud has also cultivated a penchant for writing letters to the country’s leaders, past and present. The Quaid was among the few who got back to him.
Pakistani film industry today is exemplified by mustachioed men with ‘gandasas’ staring down plus-sized women as they dance.
Cinemas themselves are dominated by Bollywood and Hollywood. The industry has been on the verge of demise ever since the separation of East Pakistan (and with it, its film industry), and the advent of the VCR.
The state, meanwhile, has had bigger concerns, leaving an industry, which once provided much revenue and was a means of promoting a ‘softer image’, in shambles. No government has tried to restore Pakistani cinema to its former glory – the state does not even acknowledge it as an industry. Similarly, little official attention has been given to film education – not a single state-funded film school exists in the country.
Quaid’s letter could not have been uncovered at a more apt time. It shows the level of enthusiasm a person who represented the entire Muslim population of India at the time possessed, even as he replied to someone as inconsequential as a young admirer – that too at a time when the entire region was embroiled in a crisis much graver than cultivating a film industry.
Masud still pens letters to the country’s present day leaders, often reminding them of their duty to the nation. Most never bother to reply. Only Jinnah had the courtesy and the vision to respond to each letter he received. One can only wish we could have another leader like that.